Friday, May 24, 2013

A Biblical Perspective of Science-Fiction: Philippians 4:8 (Repost)

Finally, brothers, whatever is true, whatever is noble, whatever is right, whatever is pure, whatever is lovely, whatever is admirable—if anything is excellent or praiseworthy—think about such things.” (Philippians 4:8 NIV)

This verse contains eight qualities which should define our thoughts. Whatever we choose to think about, whatever we linger over, should be, for the most part, defined by these attributes. (For more on this verse and its application to fiction, see my blog posts on the topic here.)

So is science-fiction worth dwelling on?

True (conforming to historical/scientific facts or moral truth):
While science fiction is fiction, much of the genre’s appeal comes from its plausibility rooted in scientific facts and laws, as well as current theories and technology. Some science-fiction more closely aligns to known science than other stories, depending on the breadth of knowledge of the author, but many of the stories leap logically from current knowledge.

On the other hand, unlike its fantasy counterpart, science fiction’s focus on science lends itself to a humanistic worldview. So it frequently ignores or even outright defies the moral laws written into the world.


Noble (serious topics handled with respect/characters acting with dignity):
Again, the focus on science and logic often devalues humanity and many of the greater attributes which defy what’s “logical”: unmerited grace, redemption, sacrifice, forgiveness. So it’s more common to see gray-shaded characters than heroes and bittersweet ends with questions than triumphant victories.

This same devaluing can cause topics to be broached coldly and without respect to anything. Concepts such as the sacred and accountability to a higher power are dismissed.

This may explain why the genre seems given to more promiscuity and the like.

However, none of these things have to be with this genre, and as a result, the nobility of a story largely depends on the author and his worldview.

 
Right (conforming to the will, standard, and character of God):
Certain attributes of God are highly prized in science fiction, whether it acknowledges Him or not: logic, orderliness, structure, balance. But whether the story conforms to the standard and will of God seems to largely depend on whether a higher power is recognized. When man or the technology he has created reigns supreme, morality tends to fly out the window.

 
Pure (actions and attitudes will not contaminate if applied to real life):
Some things will be worth emulating from science fiction: curiosity about the world around us, the value of asking questions, the need to wrestle with gray areas instead of rendering a quick judgment without hearing all sides. But like with the conformity to God’s will and standards, the worthiness of imitation will depend on the story’s view of God, the nature of man, and therefore our moral boundaries/obligations.

 
Lovely (pleasing to the senses; moves the heart toward love):
Because of its scientific viewpoint, this genre leans toward starker lines, both in setting and in style.  Yet just as a black-and-white photograph has a beauty all its own, so science fiction can be attractive. As for moving the heart toward love, much will depend on how the story deals with the harsh realities of science fiction: does it provoke cynicism or dare us to be larger than this harshness?


Admirable (a good reputation):
This genre is well-respected for its logic, roots in scientific reality, and warnings about the problems of science, real and ethical. However, it is also known for not only pushing boundaries, but outright crossing them.

In addition, its reluctance toward the supernatural has historically made this a genre rarely trodden well by Christians. Lewis’s Space Trilogy and L’Engle’s Wrinkle In Time come to mind, and even these are not perceived as great science fiction, but are classic for other reasons.


Overall, science-fiction is a very mixed bag. Hard science fiction, with its denial of anything supernatural, will meet these standards only at the barest minimum. Beyond that, whether a story is truly excellent (skillful presentation of a story) or praiseworthy (honoring to God) will depend often on an author’s view of man’s nature and God’s existence.

Thursday, May 23, 2013

Bits of News: CSFF Tour to Feature Debut Novelist

The Christian Science-Fiction and Fantasy blog tour will feature debut novelist, Robert Treskillard, during its upcoming May tour. Merlin’s Blade is a new take on the ancient Arthurian legends, focusing on the prominent but oft shadowed character of Merlin.



Robert Treskillard holds a BA in Biblical Theological Studies from Bethel University, Minnesota. He has been crafting stories from his early youth, and is a software developer, graphic artist, and sometimes bladesmith. He and his wife have three children and are still homeschooling their youngest. They live in the country near St. Louis, Missouri. You can find more about Robert Treskillard and his writing at http://www.epictales.org/blog/robertblog.php. 

Tour will run from May 27-29 and will involve over a dozen bloggers, headed up by Rebecca LuElla Miller. For more details and the latest information, check out http://csffblogtour.com/.

 

Tuesday, May 21, 2013

H2O: A Question

In H20 by Austin Boyd and Brannon Hollingsworth, water plays a large role in the story. What associations do you think of when water comes to mind? Why do you think those associations are first?

Monday, May 20, 2013

H2O: A Review

Title: H2O
Series: The Eternal Elements #1
Authors: Austin Boyd
& Brannon Hollingsworth
Genre: Adult Allegory/Urban Fantasy

Ratings: Craft—2, Content—3,
Overall—2.9 out of 5 stars

Excerpt from Chapter 1 of H2O:

Water spilled over the blade of my knife like liquid silk. Flushed by the stream, raw fish swirled down the kitchen drain on a mysterious journey, headed back to Puget Sound and home. Fluid poetry gushed from the tap, beauty rinsing away grime. I held my hand under its caress, entranced. Water was too special, too eternal, to be so common.

“Aren’t you finished yet?” Xavier asked, shaking his head as he peered into the kitchen sink of my Seattle condominium, just arm’s distance from the fish I prepared. “I can’t believe people eat this stuff.”

I dangled a fresh slice of buttery-rich raw tuna before him and winked. He jerked back as though contact with beady-eyed water creatures might taint him. Perhaps he feared that one brush against piscine slime would transform him into a rough guy on the wharf or a wrinkled old man sitting by a pond with a cane pole.

“Skip the drama, Xavier,” I said with a laugh, biting into the sweet flesh. I brushed bangs out of my eyes with the back of my hand and waved another slice of tuna in his direction. He ignored me.

“My guests will be here in a half an hour,” he said, retreating toward the den. “The main dish still has scales on it.”

“You can’t see tuna scales, X. So, quit worrying. I’ll be ready.”
 
A successful business woman’s life falls apart when her every contact with water starts sparking unwanted visions.
 
The Craft: H2O is a novel that is nearly as hard to grasp as the liquid it focuses on.
 
The premise is intriguing (how far would you go to avoid a necessity of life if you felt it was making you insane, literally?), and the varied cast, while not the most remarkable, is distinct.
 
Despite this, the plot finds no traction. The opening is convoluted and slow while the middle flat-lines and fails to raise the stakes. The heavy symbolism and mystical atmosphere squashes many of the other high tension points.
 
Overall, H2O was a story with high potential. But with no outstanding elements and overbearing symbolism which confuses rather than adding depth, the novel felt like a disappointment.
 
The Content: With the heavy symbolism, you would think H2O would be rife with meaning and unexpected gems of truth. This does not seem to be so, at least for me.
 
Maybe because I struggled to find traction with the story itself I missed the depths of truth being conveyed. However, for me, the story seemed to be little more than a “be washed and you shall be clean” conversion story with no truly fresh insights. It has a couple other subthemes dealing with wealth/success and parentage/upbringing, but like the main theme, these seem to offer nothing that makes me go, “I’ve never thought of it like that.”
 
In other elements, there’s no violence to speak of, and no swearing as far as I remember. The protagonist is in a sexual relationship outside of marriage and there are references to past such relationships, but all sexuality is off the page. The visions are the only supernatural element, which seems to basically fit the boundaries set out in Scripture.
 
Summary: H2O does not contain anything to warrant caution. Nor does it contain anything to recommend it, making it a uninspiring and somewhat forgettable story in my book.
 
Ratings: Craft—2, Content—3, Overall—2.9 out of 5 stars

Friday, May 17, 2013

Examples of Science Fiction (Repost)

*Disclaimer: I have not read all these novels or watched all these movies. Nor do I recommend all of them. Rather, I have tried to pick recognizable or pop-culture stories that exemplify the genre.
 

Classic Novels:
The Time Machine by H. G. Wells
1984 by George Orwell
The works of Jules Verne

 
Contemporary Secular Novels:
The Hitchhiker’s Guide to the Galaxy by Douglas Adams
Ender’s Game by Orson Scott Card
The Foundation Series by Isaac Asimov
Fahrenheit 451 by Ray Bradbury


Contemporary Christian Novels:
Mars Hill Classified series by Austin Boyd
Echoes from the Edge by Bryan Davis
Eternity Falls by Kirk Outerbridge
Shivering World by Kathy Tyers


Films:
Jurassic Park
Star Trek
2001 Space Odyssey

Thursday, May 16, 2013

Bits of News: NICHE

Today through Saturday, I will be vending the Network of Iowa Christian Home Educators (NICHE) conference. Serving as Imagination Investigation, I will be showing off some of the best of Christian speculative at my tables as well as teaching a workshop on discernment on Saturday at 8:15 AM.

If you will be attending, please stop by! I would love to chat with you about books, discernment, and whatever else we find to talk about. 

If know someone who will be attending, feel free to pass along this information to them.
 
If you have no connection to NICHE whatsoever—well, prayers are appreciated. Strong sales are desirable as vending these conferences aren’t cheap and this is my last of conference this year to make up any deficits. More importantly, I always need an extra dose of wisdom and knowledge as I talk with people on various topics and give book recommendations.

Wednesday, May 15, 2013

Old MacDonald's Bookstore

Old MacDonald had a bookstore, e-i-e-i-o.
And in this store he had some fiction, e-i-e-i-o.
            With a giggle here
            And big sigh there,
            Here a tear, there a chill,
            Everywhere a heart’s fill.
Old MacDonald had a bookstore, e-i-e-i-o.

Old MacDonald had a bookstore, e-i-e-i-o.
And in this store he had romances, e-i-e-i-o.
            With a couple here,
            And hand-holding there,
            Here a slap, there a kiss,
            Everywhere wedded bliss.
Old MacDonald had a bookstore, e-i-e-i-o.
 
Old MacDonald had a bookstore, e-i-e-i-o.
And in this store he had suspense, e-i-e-i-o.
            With a shadow here
            And a bad guy there,
            Here a gun, there a race,
            Everywhere a car chase.
Old MacDonald had a bookstore, e-i-e-i-o.

Old MacDonald had a bookstore, e-i-e-i-o.
And in this store he had westerns, e-i-e-i-o.
            With a cowboy here
            And a shootout there,
            Here a horse, there a train,
            Everywhere a broken pane.
Old MacDonald had a bookstore, e-i-e-i-o.

And in this store he had sci-fi, e-i-e-i-o.
            With a space ship here
            And aliens there,
            Here a phaser, there a robot,
            Everywhere are gadgets sought.
Old MacDonald had a bookstore, e-i-e-i-o.

Old MacDonald had a bookstore, e-i-e-i-o.
And in this store he had mysteries, e-i-e-i-o.
            With a murder here
            And a suspect there,
            Here the means, there some clues
            Everywhere case reviews.
Old MacDonald had a bookstore, e-i-e-i-o.

Old MacDonald had a bookstore, e-i-e-i-o.
And in this store he had woman’s fiction, e-i-e-i-o.
            With a girlfriend here
            And a husband there,
            Here a child, there a fight
            Everywhere the daily plight.
Old MacDonald had a bookstore, e-i-e-i-o.

Old MacDonald had a bookstore, e-i-e-i-o.
And in this store he had some horror, e-i-e-i-o.
           With a demon here
            And a locked door there,
            Here a scream, there a bump,
            Everywhere heart’s thump-thump.
Old MacDonald had a bookstore, e-i-e-i-o.
 
Old MacDonald had a bookstore, e-i-e-i-o.
And in this store he had historicals, e-i-e-i-o.
            With a carriage here
            And cobblestone there,
            Here a frock, there a corset,
            Everywhere dust and sweat.
Old MacDonald had a bookstore, e-i-e-i-o.
 
Old MacDonald had a bookstore, e-i-e-i-o.
And in this store he had fantasies, e-i-e-i-o.
            With a castle here
            And a dragon there
            Here a sword, there a bow,
            Everywhere a monstrous foe.
Old MacDonald had a bookstore, e-i-e-i-o.
 
Old MacDonald had a bookstore, e-i-e-i-o.
And in this store he had some fiction, e-i-e-i-o.
            With a giggle here
            And big sigh there,
            Here a tear there a chill
            Everywhere a heart’s fill.
Old MacDonald had a bookstore, e-i-e-i-o.